A grey Andalusian stallion gallops at liberty across the Cavalia stage, comes to a sliding stop in front of his handler and dances with her in a breathtaking choreographed sequence. A grand prix dressage horse seems to skip effortlessly through one-tempi changes in time to a Rachmaninov piano concerto. An unbroken semi-feral pony from the research lab at the New Bolton Centre willingly stands for an injection without halter or handler. Incredulous observers ponder “How on earth were these feats accomplished?”

There is a great deal of learning theory jargon that is unnecessarily obscure – reinforcement contingencies, discriminative stimuli and negative reinforcement, to name a few. But learning theorists nailed it with the term shaping. Just as an artist shapes a colourless lump of clay into an exquisite vessel, complex behaviours are shaped in small increments, progressing ever closer to the eventual target behaviour. Shaping forms the foundation of all equine training whether it be with positive reinforcement (+R), negative reinforcement (-R), or even when we had no intention of training our horses anything.

Shaping

There are some things we want horses to do that they perform of their own accord (standing, moving, urinating, etc.). These behaviours can be “put on cue” by giving the behaviour a name, or an associated signal, and rewarding it when it naturally occurs (+R). This is known as “capturing.” After surprisingly few repetitions, the horse will perform the behaviour with the command or signal alone. Similarly, we can reward a behaviour by contriving its occurrence (e.g. pinching a horse’s tendon until he picks up a foot), and rewarding it with release (-R).

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