Thousands of eyes gaze upon my slender frame as I jump the rails into a sandy show ring in St. Catharines, Ontario, in 1973. I’m clutching four tools in my hands and have four horse shoe nails in my shorts pocket. I look up at the stands filled with spectators, many of whom are using their programs to fan themselves from the oppressive heat. My sweaty legs gather dust as I hurry toward my father, who is assessing a big stallion that has thrown a shoe during a final jumping round.

He gains the horse’s confidence by gently gliding his hand down the metacarpal bone and over the long pastern bone, where he slowly squeezes to encourage the horse to lift his hoof. He places the hoof between his knees and holds his rough calloused hand out in my direction. I quickly hand him a hoof pick. In mere seconds, he will need the rasp. I’m ready. The clock is ticking as he throws down the rasp, and opens his palm for me pass him the thrown shoe that had been collected by one of the show ring volunteers.

He looks for any defects or abnormalities in both the shoe and the hoof. He grasps the hammer I hold out to him, and removes a nail from between my fingers in one sharp motion. Within seconds, he pounds four nails into the hoof and throws the hammer at my feet. Finally, he grabs the clincher tool from my outstretched hand to remove excess nail and seat the nails into the shoe. As he finishes, I gather the pick, rasp and hammer, and hold them in my young, but experienced hands. ‘Another fine show by the blacksmith, Alfred Kuhnen, in record time,’ booms the announcer over the sound system. I was the forgotten 10-year-old apprentice.

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